"Best Books 2003" in the Seattle Times
"... this observant glimpse into the professional dance world has been reissued, with a new preface by Bentley. A first-hand account of the harsh challenges and fleeting rewards of an exacting art form, the book was deservedly praised by critics and by George Balanchine (lionized choreographer-director of NYCB) for its freshness, candor and eloquence. And it's still an enlightening read."
-- Misha Berson
The Seattle Times
Review in Orlando Sentinel
"A mini-marvel, impossible to put down. One wants to say of the book, How delightful! How refreshing! ...cannot comment on Ms. Bentley’s abilities as a dancer. But I am certain of her ability as a writer...Toni Bentley is acutely self-aware without being self-obsessed...As a dancer’s eye portrait of the choreographer [Balanchine], the book is invaluable...Toni Bentley is a skillful writer."
--Robert Craft
The New York Review of Books
"Remarkable...One of the most intelligent and introspective glimpses ever offered into one of the most competitive and excruciatingly nervous existences in the arts."
--The New York Times Book Review
"She conveys the tension between hothouse fragility and stoic pride which dominates a dancer’s sensibility, and we come to understand the essentially religious dedication to her work."
--The New Yorker
"Winter Season is as much about ambition and commitment to a demanding profession as it is about life backstage. But there is colorful detail about performances danced and observed from the wings, and about what goes on in the honeycomb of rooms backstage...Recorded in prose that is terse, funny and vivid...Miss Bentley comes to terms with her imperfect self, though not without painful, confusing struggle. In the process she reveals herself as a first-rate writer who promises much for the future."
--Jennifer Dunning
The New York Times
"Winter Season is quite possibly the most revealing book about the world of ballet ever to see print...Miss Bentley brings to this world of sensuality a rare degree of insight and detachment, writing about it with a touch so sure as to suggest the cat-like nuances of Colette...Clear-eyed grace...No matter what shape her future as a dancer may assume, she will have the lasting satisfaction of knowing that in Winter Season she has written a minor classic about the strange profession she loves so passionately."
--Saul Goodwin
The National Review
